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The Bath Assembly Rooms, designed by John Wood, the Younger in 1769, are a set of elegant assembly rooms located in the heart of the World Heritage City of Bath in England which are now open to the public as a visitor attraction. They are designated as a Grade I listed building. During the Georgian era Bath became fashionable. The architects John Wood, the Elder and his son John Wood, the Younger laid out new areas of housing for residents and visitors. Assembly rooms had been built early in the 18th century, but a new venue for balls, concerts and gambling was envisaged in the area between Queen Square, The Circus and the Royal Crescent. Robert Adam submitted a proposal that was rejected as too expensive. John Wood, the Younger raised funding through a Tontine and construction started in 1769. The New or Upper Assembly Rooms opened with a grand ball in 1771 and became the hub of fashionable society, being frequented by Jane Austen and Charles Dickens, along with the nobility of the time. The Bath stone building has rooms arranged in a U shape. There are four main function rooms in the complex: the ballroom — the largest Georgian interior in Bath; the tea room; the card room; and the octagon. The rooms have Whitefriars crystal chandeliers and are decorated with fine art. In the 20th century they were used as a cinema and in 1931 were taken over by the Society for the Protection of Ancient Buildings and restored. They were bombed and burnt out during the Second World War, with restoration undertaken by Sir Albert Richardson before reopening in 1963. They are now owned by the National Trust and operated by Bath and North East Somerset Council for public functions. The basement of the building provides a home to the Fashion Museum. ==History== Several areas of Bath had undergone development during the Stuart period, and development increased during Georgian times in response to the increasing number of visitors to the spa and resort town who required accommodation. The architects John Wood, the Elder and his son John Wood, the Younger laid out the new quarters in streets and squares, the identical façades of which gave an impression of palatial scale and classical decorum. Much of the creamy gold Bath stone used for construction throughout the city was obtained from the limestone Combe Down and Bathampton Down Mines, which were owned by Ralph Allen (1694–1764).〔(【引用サイトリンク】title=Ralph Allen Biography )〕 Much of the development at this time consisted of new residential areas away from the old city centre. Queen Square was the first speculative development by John Wood, the Elder, who lived in one of the houses.〔(【引用サイトリンク】 work=Images of England )〕 The Circus consists of three long, curved terraces designed by the elder John Wood to form a circular space or theatre intended for civic functions and games. The games give a clue to the design, the inspiration behind which was the Colosseum in Rome. The most spectacular of Bath's terraces is the Royal Crescent, built between 1767 and 1774 and designed by the younger John Wood.〔(【引用サイトリンク】 work=Images of England )〕 Gay Street links Queen Square to The Circus. All of which were designed by John Wood, the Elder in 1735 and completed by his son John Wood, the Younger. The heart of the Georgian city was Wood's Pump Room, which, together with its associated Lower Assembly Rooms, was designed by Thomas Baldwin, a local builder responsible for many other buildings in the city, including the terraces in Argyle Street and the Guildhall, The Lower Assembly Rooms consisted of two buildings. The first built in 1708 for Thomas Harrison overlooking Parade Gardens between North Parade and Bath Abbey. A large ballroom was added in 1720, with further enlargement in 1749 and 1810 when it became known as The Kingston Assembly Rooms. In 1728 another building, known as Lindsey's Assembly Rooms, was constructed, lasting until demolition around 1820 for the building of York Street. Harrison's Lower Assembly Rooms were devastated by a fire in 1821 and rebuilt, lasting until demolition in 1933 for road improvements on the site now known as "Bog Island". In around 1770 the neoclassical architect Robert Adam designed Pulteney Bridge, a three-arched bridge spanning the River Avon. He used as his prototype an original, but unused, design by Andrea Palladio for the Rialto Bridge in Venice. Adam also submitted plans for the new Assembly Rooms but these were rejected as too costly. John Wood, the Younger raised funding for the construction of the Assembly Rooms by the use of a Tontine, an investment plan that is named after the Neapolitan banker Lorenzo de Tonti, who is credited with inventing it in France in 1653. It combines features of a group annuity and a lottery. Each subscriber pays an agreed sum into the fund, and thereafter receives an annuity. As members die, their shares devolve to the other participants, and so the value of each annuity increases. On the death of the last member, the scheme is wound up. Construction started in 1769 and was completed in 1771, when a grand opening was held. The Assembly Rooms formed the hub of fashionable Georgian society in the city, the venue being described as "the most noble and elegant of any in the kingdom".〔(【引用サイトリンク】url=http://www.nationaltrust.org.uk/bath-assembly-rooms/ )〕 They were originally known as the Upper Rooms as there was also a lower assembly room in the city, which closed soon after the Upper Rooms opened. They served the newly built fashionable area which included The Circus, Queen Square and the Royal Crescent.〔(【引用サイトリンク】url=http://www.stately-homes.com/assembly-rooms-and-fashion-museum )〕 People would gather in the rooms in the evening for balls and other public functions, or simply to play cards. Mothers and chaperones bringing their daughters to Bath for the social season, hoping to marry them off to a suitable husband, would take their charge to such events where, very quickly, one might meet all the eligible men currently in the City. At one concert in 1779, attended by around 800 ladies and gentlemen, 60 members of the nobility were present. During the season, which ran from October to June, at least two balls a week were held, in addition to a range of concerts and other events.〔 Scenes such as this feature in the novels of Jane Austen, who lived in Bath with her parents and sister from 1801 to 1805. Her two novels set in Bath, ''Northanger Abbey'' and ''Persuasion'', were published in 1818 and both mention the Assembly Rooms: Charles Dickens also visited Bath on several occasions. He gave public readings in the Assembly Rooms and mentions them in ''The Pickwick Papers'' (published in 1837): George Bridgetower, an Afro-Polish-born virtuoso violinist, made his debut at the Assembly Rooms in 1789.〔 Another young violinist, Thomas Linley the younger, played a series of concerts between 1771 and 1776. Many of the concerts during the late 18th and early 19th centuries were organised by Venanzio Rauzzini. In the 20th century several changes took place, with the Ballroom becoming a cinema, until the Society for the Protection of Ancient Buildings became the owners in 1931.〔 The building was restored by A Mowbray Green in 1938,〔 with Oliver Messel as the interior designer.〔 During the Bath Blitz of 25/26 April 1942, one of the retaliatory raids on England by the Baedeker Blitz following the RAF's raid on Lübeck, the Assembly Rooms were bombed and burnt out inside. After the cessation of hostilities in Europe, they were restored by Sir Albert Richardson, with work being completed in 1963. The ballroom ceiling had to be repaired after it collapsed in 1989.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Bath Assembly Rooms」の詳細全文を読む スポンサード リンク
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